FASHION AS A FORM OF SELF-IDENTITY: A SEMIOTIC ANALYSIS OF MILLENNIALS' DRESS STYLE
DOI:
https://doi.org/10.70574/fdp90z76Keywords:
fashion, identity, millennials, semiotics, social mediaAbstract
Fashion plays a significant role in shaping self-identity, particularly among Indonesian millennials living in the digital and globalized era. This study aims to analyze the role of fashion as a visual communication medium in expressing millennials' self-identity through Roland Barthes' semiotic approach. Using a qualitative literature review method, data were collected from relevant secondary sources, such as journal articles, books, and dissertations. The analysis reveals that fashion functions as a system of signs containing denotative meanings, such as color or design, and connotative meanings reflecting personality, social status, or local culture. Social media platforms, such as Instagram and TikTok, serve as key arenas for millennials to showcase their fashion styles and construct their public identities. The findings affirm that fashion not only reflects but also shapes self-identity within the context of negotiating globalization and locality. This study contributes theoretically to semiotic studies and practically to the fashion and marketing industries. However, the absence of direct empirical data is a limitation, suggesting that future research should integrate field methods to deepen understanding of the interaction between fashion and millennial identity.
References
Admaja, A. W., & Wirawanda, Y. (2024). Representasi Maskulinitas Dalam Iklan Ms Glow Men (Analisis Semiotika Roland Barthes) (Doctoral dissertation, Universitas Muhammadiyah Surakarta).
Barthes, R. (1983). The fashion system (M. Ward & R. Howard, Trans.). University of California Press.
Hall, S. (1996). Introduction: Who needs 'identity'? In S. Hall & P. du Gay (Eds.), Questions of cultural identity (pp. 1–17). SAGE Publications.
Hawwa, C. S. (2023). REPRESENTASI FORMULA ATTENTION, INTEREST, DESIRE, CONVICTION, ACTION (AIDCA) DALAM IKLAN WE THE FEST 2022 X H&M INDONESIA “HOUSE OF ME” DI YOUTUBE (Analisis Semiotika Charles Sanders Peirce) (Doctoral dissertation, Universitas Nasional)..
Kushandarti, W., & Astiti, K. S. (2020). Analisis Wacana Iklan Korporat Zilingo Indonesia Versi# Siapasihlo Ditinjau Dengan Analisis Wacana Teun A. Van DIJK. JURNAL PIKMA PUBLIKASI ILMU KOMUNIKASI MEDIA DAN CINEMA, 2(1).
Madani, A., & Ambarwati, J. (2023). Subkultur Anak Muda Dalam Iklan Kopi Di Indonesia: Kajian Semiotika Roland Barthes. SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik, 24(2), 212-227.
Melati, S. D., Setiadarma, A., & Irawati, A. (2024). REPRESENTASI KARAKTERISTIK GENERASI MILLENIAL PADA IKLAN SASA (MSG “MICIN SWAG GENERATION”) DI MEDIA YOUTUBE (ANALISIS SEMIOTIKA FERDINAND DE SAUSSURE). Ikon--Jurnal Ilmiah Ilmu Komunikasi, 29(1), 10-21.
Muarif Mahfud, M. (2024). ANALISIS SEMIOTIKA DALAM PESAN BISNIS PADA CONTENT TIKTOK@ Raymondchin (Doctoral dissertation, Universitas Islam Negeri Sultan Syarif Kasim Riau).
Rahmawati, N. M. (2020). Fashion Sebagai Komunikasi: Analisa Semiotika Roland Barthes Pada Fashion Agus Harimurti Yudhoyono (Ahy): Dalam Pemilihan Gubernur Jakarta. KREDO: Jurnal Ilmiah Bahasa dan Sastra, 4(1), 216-233.
Zesinta, S. (2022). Fashion komunikasi dalam goyang TikTok pada akun@ nusantarahouse (Doctoral dissertation, IAIN Kdiri).
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Elva Gustiaeni Nengsi, Andi Azhar (Author)

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

